radicar raði’kar is interested in the figure of the diasporic or migrant artist, polyglot or traveler, as translator.
These artists circulate in the international art world and its institutions, places marked by acts of interculturaldiscourse, where the translatability of their work is the condition of its exhibition.  These artists do not speak with amonolingual voice. They are fundamental critical decoders who question these circulations in their work, hijackingsystems, appropriating or inventing languages. It is in this friction, sometimes this discomfort, that the possibility of a dissident epistemology and a reconfigured reality emerges, amplified by the experience and existence of otherness.